Most sensible people do recognize that having a command structure with authority for those at the top to make decisions is good for the overall functioning of any social unit. Even among chimpanzees there are dominance hierarchies, and this is something that would not exist in nature if it did not serve a function.
Military units need military discipline, and even seemingly unimportant details can help. Lawrence, who works with my chimpanzee Bow, was in the service, and he was talking to me the other day about how requiring new recruits to keep their uniform clean was not really about keeping the uniform clean, but about maintaining overall discipline. If recruits were disciplined for tiny, unimportant infractions, then they learned to obey every command by the time they were faced with actual combat.
People who join the service understand that they are giving up most of their civil liberties when they sign up. In many other organizations, people also give up the right to express themselves when they join, Many companies require employees not to speak or publish about certain topics that are considered sensitive to the business of the company. Women who had the right to vote in New Jersey in the 18th century lost that right when they got married. But they didn't have to marry, unless they were sure they trusted their husband to vote the way they thought was right.
Freedom does not mean the freedom to do anything at all at someone else's expense. Free men and women give up rights every day in order to receive certain benefits from other people, to whom they cede their rights. Speaking up for freedom does not necessarily imply that we are against command sturctures in social units. It does not mean that we don't understand the value of discipline.
As long as there is a choice whether to join or not, there is nothing unconstitutional or wrong in the curtailment of those rights set forth in the constitution and bill of rights by a unit of society. But what if a general rode into your American town and imposed martial law on everyone, without asking permission? Could that ever be constitutional? And if it is unconstitutional, could it ever be necessary or useful?
That is the topic of today's article on Historia Obscura. It's not that military law is bad -- it just needs to stay in the military. Martial law is not for civilian populations. That was one of the basic beliefs that led to the American revolution.
Just as a parent may have the right to discipline his own child but not the neighbor's child, a military commander needs to understand that he can discipline those under him, but not everyone else. It's a very simple proposition.
Friday, November 21, 2014
Friday, November 14, 2014
How to Take Back a Punishment and Be Vindicated
There are three branches to the United States government. What one takes away, another one can give back. For instance, if the legislative branch makes a mistake and passes an unconstitutional act, the executive can refuse to enforce it and the judicial can nullify it.
If somebody is wrongfully adjudicated guilty of a crime, the executive can pardon the accused, and the legislative can offer restitution in payment for what has been suffered.
But what if someone is in the middle of a lawsuit to reclaim his property, and the legislature just passes a law that the spoils go to one of the parties to the litigation? I don't have direct evidence of this myself, but I have heard that something like that happened to the goods belonging to Jean and Pierre Laffite. Before their lawsuit could come to trial, a law was passed to the effect that the goods belonged to Patterson. Is that constitutional?
It's good to have checks and balances. And yet.... this ability to undo what has already been done can be misused. And sometimes a person does not want a pardon for a crime he has not committed. He wants vindication, instead.
Notice that when President Madison pardoned all the Baratarians who served in the Battle of New Orleans, Jean Laffite did not claim that pardon, because he believed he was not guilty of a crime.
And when Andrew Jackson was forced to pay $1000.00 as a fine for being in contempt of court, for having Judge Hall incarcerated for granting a writ of habeas corpus during Jackson's imposition of martial law, Jackson never asked for a pardon. Instead, toward the end of his life, he got Congress to pass a law that the fine was to be paid back to him.
Why? Was it because he needed the money? Or was he trying to make a point? According to the book by Matthew Warshauer, Andrew Jackson and the Politics of Martial Law it was because: “He viewed the return of his fine as a larger statement about the legitimacy of violating the constitution and civil liberties in times of national emergency.”
What can we learn from this? If you get in trouble, but you want to be vindicated, don't go for a pardon. Get an act of Congress to refund your money.
If somebody is wrongfully adjudicated guilty of a crime, the executive can pardon the accused, and the legislative can offer restitution in payment for what has been suffered.
But what if someone is in the middle of a lawsuit to reclaim his property, and the legislature just passes a law that the spoils go to one of the parties to the litigation? I don't have direct evidence of this myself, but I have heard that something like that happened to the goods belonging to Jean and Pierre Laffite. Before their lawsuit could come to trial, a law was passed to the effect that the goods belonged to Patterson. Is that constitutional?
It's good to have checks and balances. And yet.... this ability to undo what has already been done can be misused. And sometimes a person does not want a pardon for a crime he has not committed. He wants vindication, instead.
Notice that when President Madison pardoned all the Baratarians who served in the Battle of New Orleans, Jean Laffite did not claim that pardon, because he believed he was not guilty of a crime.

Why? Was it because he needed the money? Or was he trying to make a point? According to the book by Matthew Warshauer, Andrew Jackson and the Politics of Martial Law it was because: “He viewed the return of his fine as a larger statement about the legitimacy of violating the constitution and civil liberties in times of national emergency.”
What can we learn from this? If you get in trouble, but you want to be vindicated, don't go for a pardon. Get an act of Congress to refund your money.
Tuesday, November 11, 2014
Jean Laffite: American War Veteran
Today is Veterans Day, and everywhere we see pictures of people in uniform. People who served in the armed forces. Some of them died for their country, some were wounded, and all were part of the military branch of the government. But it is important to remember that some of the greatest veterans who ever lived never wore a uniform.
The true heroism of Jean Laffite's independent contribution to the American war effort can be read in Pam Keyes' article, Commemoration of a Hero: Jean Laffite and the Battle of New Orleans.
Of course, Andrew Jackson was also there and also made valuable contributions. But without Jean Laffite's help, the Battle of New Orleans would have been lost. Quite possibly the entire war would have been lost. We would have ended being British subjects who were thankful for the services of the redcoats on Veterans Day.
One of the founding principles of the United States was having no standing army. Let us not forget that this is what the original founders fought for in 1776 when they resisted the British attempt to tax them to pay for the defense of the colonies.
It would be a shame to save the Union only to lose the constitution
The true heroism of Jean Laffite's independent contribution to the American war effort can be read in Pam Keyes' article, Commemoration of a Hero: Jean Laffite and the Battle of New Orleans.
Of course, Andrew Jackson was also there and also made valuable contributions. But without Jean Laffite's help, the Battle of New Orleans would have been lost. Quite possibly the entire war would have been lost. We would have ended being British subjects who were thankful for the services of the redcoats on Veterans Day.
One of the founding principles of the United States was having no standing army. Let us not forget that this is what the original founders fought for in 1776 when they resisted the British attempt to tax them to pay for the defense of the colonies.
It would be a shame to save the Union only to lose the constitution
Friday, November 7, 2014
Reframing the Context: The Secretary of War
Context is everything. When a certain group manages to reframe the context of a discussion, then the sorts of answers available to any given question seem to become limited to a specific number of listed possible responses.
Take for instance the question of war. A long time ago, everyone understood that war was inevitable, and they talked about how to pay for it, who should serve and when to declare it. In the cabinet of the president of the United States, there was a Secretary of War.
Under George Washington, the Secretary of War was Henry Knox. He had been the chief artillery officer of the Continental Army, and before the ratification of the constitution, he served as the Continental War Secretary.
At first, the Secretary of War was responsible for all military affairs, but in 1798 the separate position of Secretary of the Navy was created, and the Secretary of War's scope was reduced to cover only the army. After 1886, the Secretary of War was third in line of succession to the presidency, right after the Vice President and the Secretary of State. (I bet Al Haig knew that!)
Something rather big happened to the Secretary of War position in 1947, with the passage of National Security Act of 1947: the Office of Secretary of War entirely disappeared. According to the Wikipedia: "The Secretary of the Army's office is generally considered the direct successor to the Secretary of War's office although the Secretary of Defense took the Secretary of War's position in the Cabinet, and the line of succession to the presidency."
Why? Why did they do that? By eliminating the word "War" from the name of the office, did we eliminate war? No. There have been lots of wars in which the United States was involved since 1947. But none of them have been declared! This means that the Executive Branch has been free to wage war without the consent of the other branches ever since the word "war" was eliminated from our respectable statesman-like vocabulary.
Change the linguistic context, and you change the meaning of the constitution. Apparently, the requirement for a declaration of war went away as soon as we stopped calling it war.
Today, everybody seems to agree that war is a bad thing and we should avoid war at all costs. Everyone gives lip service to this idea. And yet it is easier for the president to start a war than ever before!
Reframing the context is a very dangerous thing. It would be better if we still called it war and had open discussions about when it should be declared and who should pay for it and who should be asked to risk life and limb in waging it.
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The Seal of Office of the United States War Office |
Under George Washington, the Secretary of War was Henry Knox. He had been the chief artillery officer of the Continental Army, and before the ratification of the constitution, he served as the Continental War Secretary.
At first, the Secretary of War was responsible for all military affairs, but in 1798 the separate position of Secretary of the Navy was created, and the Secretary of War's scope was reduced to cover only the army. After 1886, the Secretary of War was third in line of succession to the presidency, right after the Vice President and the Secretary of State. (I bet Al Haig knew that!)
Something rather big happened to the Secretary of War position in 1947, with the passage of National Security Act of 1947: the Office of Secretary of War entirely disappeared. According to the Wikipedia: "The Secretary of the Army's office is generally considered the direct successor to the Secretary of War's office although the Secretary of Defense took the Secretary of War's position in the Cabinet, and the line of succession to the presidency."
Why? Why did they do that? By eliminating the word "War" from the name of the office, did we eliminate war? No. There have been lots of wars in which the United States was involved since 1947. But none of them have been declared! This means that the Executive Branch has been free to wage war without the consent of the other branches ever since the word "war" was eliminated from our respectable statesman-like vocabulary.
Change the linguistic context, and you change the meaning of the constitution. Apparently, the requirement for a declaration of war went away as soon as we stopped calling it war.
Today, everybody seems to agree that war is a bad thing and we should avoid war at all costs. Everyone gives lip service to this idea. And yet it is easier for the president to start a war than ever before!
Reframing the context is a very dangerous thing. It would be better if we still called it war and had open discussions about when it should be declared and who should pay for it and who should be asked to risk life and limb in waging it.
Wednesday, October 29, 2014
What is your Love About?
A first meeting with the love of your life may or may not be dramatic. In Theodosia and the Pirates: The Battle Against Britain, I had Jean Laffite and Theodosia Burr meet on board The Patriot after he saved it from a British attack and then proceeded to commandeer it for his own use, having found that the Captain and all of the crew had been killed as prisoners aboard the British ship he sank.
In the sequel, Theodosia and the Pirates: The War Against Spain, Jean Laffite unwittingly introduced his daughter Denise to the man she would marry by inviting him to make her a spinning wheel.
Denise had just come out of a disastrous marriage to a pirate, and she was dressed all in black because her father had recently killed him to avenge her, and she had made the statement that she wanted henceforth to remain a spinster. Taking her literally at her word, Jean Laffite commissioned a spinning wheel to be made for her by Francis Little, who turned out to be her future husband.
Of course, I made all that up because I'm a novelist. In real life, it may not have happened anything like that. But does it really matter how they met? Does it ever matter? According to this article recently read, it does not, but people sometimes feel very deeply that it should.
Modern Love: When the Words Don't Fit by Sarah Healy
Should your first meeting make a great story to tell the grandchildren? Well, not necessarily. If there is nothing to sustain a long-term love, then we are certainly not going to marry someone because it would make a great story. But the entire sum total of your love should make a great story, and that is where the article left me cold.
Is a meeting at a bar where friends introduce you really all that conventional? (I've never had anything like that happen to me.) And what exactly is a conventional marriage, the kind the author is happy to claim she has? This has got me quite mystified. Every love story is about something. What is a conventional marriage about?
A person once answered me with this: "Sex, companionship, children." But even in a conventional marriage, aren't the sex, companionship and children about something? Something bigger and more important and at the same time much more personal than such a generic listing of three nouns?
In a novel, to be interesting, a love story has to have both a plot and a theme; conflicts built in that enhance and ignite the love and keep it going for a very long time. For Theodosia and Jean, they loved one another because of her Battle against Britain and his War Against Spain, because she loved her country and her father, and because he loved the Constitution and hated tyranny. He wanted to avenge her wrongs, because it was too late to avenge his grandmother directly. They served as surrogates for other people they had loved and worshiped, and they also served as agents of catharsis whenever their interests clashed. His deep respect for Thomas Jefferson, but her hatred for the man who ruined her father and his alliance with James Wilkinson who had been the chief witness for the prosecution at Burr's trial for treason were both jarring and hateful to Theodosia. How could she keep loving Jean and still hold on to her honor?
The sex, companionship and children in Jean and Theodosia's story were a byproduct of their plot and theme. They were not an end in themselves.
In the case of the romance between Denise and Frank, I made the story much more understated. Still there was a story. It was the conflict between the high spirited, imaginative Denise and her artistic and domestic urges, and the question of whether kindness alone can sustain passion. Sometimes after rough sailing, we want a little peace in our lives. But peace is never enough. There has to be art and beauty and courage and a common cause. And ultimately, in order to be sustainable, a marriage has to have a built in theme and a recurring conflict. For Frank and Denise it was art and weaving and furniture making and all while facing up to evil.
Do you have a love story in your life? If so, then you know what it's about. You don't have to tell, of course. It can remain your secret. But it can't be about nothing. There's no such thing as a conventional love. If it's conventional, then it's not love.
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from http://cms.toptenthailand.net/file/picture/20131119133038170/20131119133038170.jpg |
In the sequel, Theodosia and the Pirates: The War Against Spain, Jean Laffite unwittingly introduced his daughter Denise to the man she would marry by inviting him to make her a spinning wheel.
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from http://bjws.blogspot.com/2012/11/sewing-indoors-1800s.htm by Platt Powell Ryder, an American artist 1821-189 |
Of course, I made all that up because I'm a novelist. In real life, it may not have happened anything like that. But does it really matter how they met? Does it ever matter? According to this article recently read, it does not, but people sometimes feel very deeply that it should.
Modern Love: When the Words Don't Fit by Sarah Healy
Should your first meeting make a great story to tell the grandchildren? Well, not necessarily. If there is nothing to sustain a long-term love, then we are certainly not going to marry someone because it would make a great story. But the entire sum total of your love should make a great story, and that is where the article left me cold.
Is a meeting at a bar where friends introduce you really all that conventional? (I've never had anything like that happen to me.) And what exactly is a conventional marriage, the kind the author is happy to claim she has? This has got me quite mystified. Every love story is about something. What is a conventional marriage about?
A person once answered me with this: "Sex, companionship, children." But even in a conventional marriage, aren't the sex, companionship and children about something? Something bigger and more important and at the same time much more personal than such a generic listing of three nouns?
In a novel, to be interesting, a love story has to have both a plot and a theme; conflicts built in that enhance and ignite the love and keep it going for a very long time. For Theodosia and Jean, they loved one another because of her Battle against Britain and his War Against Spain, because she loved her country and her father, and because he loved the Constitution and hated tyranny. He wanted to avenge her wrongs, because it was too late to avenge his grandmother directly. They served as surrogates for other people they had loved and worshiped, and they also served as agents of catharsis whenever their interests clashed. His deep respect for Thomas Jefferson, but her hatred for the man who ruined her father and his alliance with James Wilkinson who had been the chief witness for the prosecution at Burr's trial for treason were both jarring and hateful to Theodosia. How could she keep loving Jean and still hold on to her honor?
The sex, companionship and children in Jean and Theodosia's story were a byproduct of their plot and theme. They were not an end in themselves.
In the case of the romance between Denise and Frank, I made the story much more understated. Still there was a story. It was the conflict between the high spirited, imaginative Denise and her artistic and domestic urges, and the question of whether kindness alone can sustain passion. Sometimes after rough sailing, we want a little peace in our lives. But peace is never enough. There has to be art and beauty and courage and a common cause. And ultimately, in order to be sustainable, a marriage has to have a built in theme and a recurring conflict. For Frank and Denise it was art and weaving and furniture making and all while facing up to evil.
Do you have a love story in your life? If so, then you know what it's about. You don't have to tell, of course. It can remain your secret. But it can't be about nothing. There's no such thing as a conventional love. If it's conventional, then it's not love.
Friday, October 24, 2014
The Myth of the Self-Made Man
A little before I left for Galveston, I read an article that made me think about our current socio-economic reality and how it relates to people like Jean and Pierre Laffite and also to their offspring, such as Pierre's children and grandchildren by Marie Villard. But I had no time to sit down and organize my thoughts about this. So I just shared the article on my Twitter feed and moved on.
The article was published on Slate by John Swansburg, and it was called "The Self-Made Man: the Story of America's Most Pliable, Pernicious and Irrepressible Myth." I have linked the article here, so you can go read it in its entirety. It is very, very long, contains a lot of historical details and is sort of apologetic of the good fortune of some, including the father of the author, who happens to have been one of those "self-made men."
The article is nuanced, has a reasonable tone, is not too dogmatic, but it was basically written to appeal to the progressive sensibility. There's a lot of truth to what it has to say, but at the same time, it misses what to me is the real point of upward mobility and the melting pot.
Some of the points the author made include these perfectly unobjectionable observations:
The article was published on Slate by John Swansburg, and it was called "The Self-Made Man: the Story of America's Most Pliable, Pernicious and Irrepressible Myth." I have linked the article here, so you can go read it in its entirety. It is very, very long, contains a lot of historical details and is sort of apologetic of the good fortune of some, including the father of the author, who happens to have been one of those "self-made men."
The article is nuanced, has a reasonable tone, is not too dogmatic, but it was basically written to appeal to the progressive sensibility. There's a lot of truth to what it has to say, but at the same time, it misses what to me is the real point of upward mobility and the melting pot.
Some of the points the author made include these perfectly unobjectionable observations:
- get-rich-quick schemes are a by-product of gullibility in the general public that has allowed itself to swallow the myth that extreme success is open to everyone, regardless of effort, talent or other qualifications.
- The myth of the self-made man has changed over the years from being based on the Puritan work ethic, where industry, hard work and frugality were its basis, which also allowed for circumstances shaping the man, to some sort of idea of individual drive being the chief qualification, so that if you want it badly enough success will come, and now ambition is in itself a virtue.
- A lot of the self-help industry is based on this myth.
- People who did succeed were not entirely self-made, as they came from families where the skills and virtues that led to success were already taught and part of the socio-economic and cultural heritage of the entrepreneur.
Nobody is self-made, so, of course, taken in its most literal sense, there is no such thing as a self-made man. Our DNA comes from someplace. Our flesh, including our brain cells and our most basic predilections all come from others, passed down through a long chain of ancestors, the earliest of which were not even human.
"You're self made, eh?" the Progressive scoffs. "Well, did you invent bipedalism all by yourself? How about the wheel? Language? Writing? Algebra?"
In a somewhat less absurd move, Swansburg points out that Jewish immigrants to the United States who became successful in the garment industry already had garment industry experience in Europe, before immigrating. That makes sense. But does it take away from the achievements of the few who succeeded grandly, despite poverty and a language barrier?
Or how about the fact that many East Asian immigrant children come from a culture where literacy and studiousness are already very much valued and encouraged, which is why they tend to excel in academics far and above their Anglo-Saxon classmates, whose ancestors were still illiterate savages at a time when the East had a well developed culture? Does this mean that we should put quotas on university entry by Asian-Americans?
The fallacy is in thinking that the melting pot and upward mobility in the United States was ever supposed to be based on dispossessing people of the individual advantages that came from belonging to a particular family or ethnic group. The idea was always that you got to compete based on everything you left home with, and that nobody would ever penalize you for what sort of home you had. Rising based on your own merit was not supposed to be tempered by handicapping certain people for coming into the race with certain built-in advantages. In fact, the myth of the self-made man was that everybody was allowed to shine based on their built-in advantages, regardless of anything else.
"But it's not fair that some people come better equipped!" some complain. Fair to whom? To the consumer who wants to buy inexpensive well-made garments? To the university that seeks the brightest students? To the employer who is looking for the best workers money can buy?
Social Darwinism is frowned upon. as a misunderstanding of the theory of evolution. But the theory of evolution, some have pointed out, is a tautology. It is true by definition. If traits are selected for in future generations based on the survival of the fittest, then how do you determine who the fittest were, except by looking around to see who survived? Fittest does not mean some kind of absolute virtue -- it just means most adapted to the particular environment. When the environment changes, the traits that make us most fit also change.
In today's market, those who are willing to do necessary blue collar work are at an advantage over the merely studious, because the market is flooded with college graduates who have no useful skills. Half a century ago it might have been different. Tinker with the marketplace, and you change the fitness of all the participants.
Upward mobility at present is at an all time low, some complain. I'm not sure whether that is true or not, but I do know that even during slavery, there was upward mobility for blacks. Marie Villard was a descendant of slaves, but she was a free woman who owned property. Though miscegenation laws prevented Pierre Laffite from marrying her, his children by her were well provided for under a binding contract. After a few generations, the descendants of Marie Villard had been so assimilated into New Orleans society that they did not even know they were black. They remembered they had a famous "pirate" in their lineage, but they conveniently forgot about Marie Villard. (Source: Davis, The Pirates Laffite.)
That is in fact how upward mobility and the American melting pot worked. Though all people have certain advantages inherited from their ancestors, over time we become assimilated to the point where we no longer remember where we came from, and then it may appear that we are entirely self-made. It may be a myth, but it is also one of the advantages of the American culture of the nineteenth century, because by allowing people to forget their origins, society was able to let individuals fully claim every useful trait that came built in, to the advantage of not only the individual, but also society as whole.
Jean Laffite never denied his roots. He was proud of his ancestors and of the way he used what he inherited from them to become a successful entrepreneur, leader and patriot. Was he a self-made man? As much so as anyone ever was. He was just unusually honest about where he came from. That was perhaps his greatest flaw, and the reason he never received the recognition he deserved.
Friday, October 17, 2014
Slide Show from Presentation before the Laffite Society
I gave a talk before the Laffite Society this Tuesday. It was all about how the changing laws concerning privateering -- and also filibustering -- affected the career of Jean Laffite. I am not going to set forth the content of my talk here, as I plan to submit that by the end of the year to Laffite Society for publication. However, the talk was accompanied by a slide show, and I will share some of the slides to give you some idea of what the talk covered. I will also comment on the content of the slides from the perspective of how this information was acquired, and how it relates to my own life and my process as a writer.
The next slide actually shows something from one of my many notebooks that helps to document the trajectory of my interest in Jean Laffite. I had been planning to write a book entitled Theodosia and the Pirates for a very long time, ever since I read Gore Vidal's Burr when I was sixteen. But it was not the first thing on my list. I was thinking that it would be kind of a light book, after I had finished writing all the truly important books about justice and honor and freedom. So it was always planned to be something that I would write toward the end of my life, as a kind of reward to myself. I knew that Theodosia was going to be the heroine. But which pirate should she meet?
Here in this notebook, while I was still engaged in writing the first half of Our Lady of Kaifeng, I jotted some notes about what I wanted Theodosia and the Pirates to be about.
Theodosia Burr Alston
Find a famous real life pirate from that era and relate the events of his life to the story of Theodosia after she was lost at sea.
This is the story of what happens when none of our dreams come true and we have to give up World Conquest.
It is about the life of contentment and spontaneous happiness that is possible only after everything else goes wrong and we lose all hope.
That was written on May 12, 2007. At the time, my daughter was almost eight, and Bow, the chimpanzee, was five. We had not had the breakthrough yet that catapulted him to literacy. The scribbling on the top right hand page from the notebook was by Bow. He always wanted to write if I was writing, although one could not make out anything in what he scribbled.We had just moved into the pen system, and both Bow and I were feeling depressed.
That was in May of 2007. By July of that same year, Bow had an enormous breakthrough. Though my original online article about this has been de-indexed, you can still read it on the Reddit Mirror.
http://www.redditmirror.cc/cache/websites/hubpages.com_7q880/hubpages.com/hub/Bow-and-Literacy.html
After Bow's breakthrough, I was busy documenting everything that happened with his language acquisition and submitting an article to Nature. I was also attending conferences with other primatologists and discussing my findings, and for a while there was great excitement in the air about Bow. And then all of that fizzled out. I could prove nothing, and it was all dismissed as Clever Hans.
In the meanwhile, I finished writing the first half of Our Lady of Kaifeng, and eventually I rediscovered my writing notebook with the entry on Theodosia and the Pirates. And somehow or other I went back to thinking about poor Theodosia, lost at sea, and how I needed a pirate to save her.
That is why on the right hand page, right under all that scribbling by Bow, I ended up writing this on April 6, 2009: "The real life pirate will be Jean LaFitte."
I still knew very little about him. I could not even spell his name correctly. But I knew it could be nobody else. And that's when my focus, which up till then had been on Bow's literacy and on the inmates of an internment camp in Shandong Province in World War II, began to shift. And all of the sudden I absolutely needed to know everything there was to know about Jean Laffite. I ordered The Journal of Jean Laffite in the original from the library in Liberty, Texas and I read and re-read William C. Davis's The Pirates Laffite, and everything else that I could get my hands on concerning Laffite. And gradually it dawned on me: he was not a pirate! And what's more, I had met him before somewhere. He was familiar. He felt like home.
I suddenly began to understand that a momentous change had happened in the interpretation of the constitutional provisions of how war was to be waged and financed and what powers belonged to the government and what powers belonged to the people. I began to see how it was that right at first, prior to the passage of the first Neutrality Act in 1794, Congress had to grant the right to declare war to the US government, but private citizens did not need permission from anybody to wage war, since all powers not granted to the Federal government were reserved to the states and to the people.
And then one day the Neutrality Act of 1794 was passed, to make it easier for the United States to please Britain in the Jay Treaty.
The American privateers who had private interests in conflict with the foreign policy of the president of the United States were not pirates. Or were they? And what exactly was the difference?
Jean Laffite, when he met Theodosia in my book, on New Year's Day 1813, had a privateering license from Cartagena. No, not the one in Spain. The one in Colombia. Only there was no Colombia then, and the Republic of Cartagena had only in 1811 become free of Spain.
Of course, before that, before he had a privateering license from Cartagena, Jean Laffite had been a smuggler under the Embargo Act of 1807, which was Thomas Jefferson's way of keeping the United States out of war.
The public hated the Embargo Act. It destroyed American commerce.
But with smugglers like the Laffites operating to fill the gap, it was still possible to shop for cheap goods at Barataria. It was because he was such an independent privateer and smuggler that Jean Laffite was able to provide the United States with the flint and the gunpowder and the artillery and men that won the Battle of New Orleans for the American side. But no recognition was given him, because the tide of history had already gone the other way. When James Monroe came to power, the Neutrality Act was amended to make it even more damaging to American privateers and filibusters, and Jean Laffite was forced to give up Galveston, just as he had earlier given up Barataria. Not only that, but when he sought to serve in Simon Bolivar's Colombia, he had to take on a commission as Colombian naval officer. The Americans had pressured Bolivar to outlaw privateering in return for recognition of his government. So he nationalized all the privateering vessels, and he allowed their captains to stay on as government employees. When Jean Laffite disappeared from the historical record, he was no longer a privateer. He was a "brave Colombian naval officer" serving as a government's hired hand.
There was a lot more to my talk and many more slides, but there in a nutshell is the story. Why does it appeal to me? Why was it such an epiphany for me to discover the real Jean Laffite, rather than the pirate with a heart of gold that he was portrayed as by the media and the childhood history books? Because it all ties in. Everything in life is interconnected. Not only do Laffite's grievances and Theodosia Burr's complaints against the government match, it also fits into my own life story.
Today, there are no more privateers, and the government has a monopoly on waging war. But in almost every other field, government encroachment into private affairs is likewise felt. I am the only private ape language researcher remaining. All the others have fallen under a network of laws that has all but nationalized chimpanzee research. Whether they work for the government, a university or a non-profit, they are not allowed to make decisions on their own which are at odds with national policy on chimpanzees.
Jean Laffite is a hero who appeals to me on so many levels. He is much more than a plot device to save Theodosia Burr. And the two novels that I wrote about him and Theodosia are not light romances, as I originally thought they would be. They are an in-depth look at what happened to an entire nation very soon upon its formation. What happened to Jean Laffite happened to all America -- to all of us. It is our loss.
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