Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Thursday, June 22, 2017

Anti-Romanticism




Note: This is a Vlog Post, so the text comes from the embedded videos. It is therefore in a spoken rather a written register of English.



So... I was listening [to] and watching a lecture by Alain de Botton that was delivered somewhere in Australia, I think at an opera house. And he was giving his usual message, which is really an anti-individualist message. But a lot of people don't realize it, because it is couched in such humanistic language that a lot of people are, in fact, attracted to it. And the point of his lecture was that it does not matter who you end up with, that you can love anyone, and that Romantic love is probably something that we were conditioned to feel by literature, but it's not real, and that in fact there are probably a lot of people walking around pretending that they're in love, because they think they can't be in a relationship unless they are in love. But it's okay, you don't have to pretend anymore. The secret is out. It's not real. 

I do think that there's a lot of truth to what he says. and that's why it resonates with people. But it's not true for everybody, and that's part of the problem. 

He says that we are now in the Age of Romantic Love, and then he gives an example from Flaubert's Madame Bovary to sow ow awful it is. But, of course, Flaubert was not a romanticist. He was an anti-romanticist. He was a realist, and he was on the same bandwagon as de Botton. He just wanted to tear apart the image of romantic love and show how silly it was.

In fact, maybe a higher percentage of the world's population is not given to romantic love, because they're not limerent. And it does not ave specifically to do with love, It also has to do with preferences.

Some of us have very strong preferences -- on everything.  We know exactly what kind of pizza we like. We know what movies we like.  We're in love with certain characters in movies and television and books. And we are totally not interested in other movies and other television shows and other books. We have strong preferences, and we won't change that.  And then there are other people who just go by trends. Their favorite clothing is whatever happens to be fashionable today. Their favorite show is the one that is popular today.  They're going to read the latest novel on the best seller list, because it's on the best seller list, and they want to be able to discuss it at parties with other people. And it doesn't matter whether they like the book or not, but they're very open, and being open like that, they just don't have a preference.

Even something like "What's your favorite color" is a question that not everybody has an answer to. You can say that we were conditioned by society to think that we're supposed to have a favorite color, and if we don't have one --- well, we make one up. And, of course, if we don't have one, and we make up the favorite color, today it could be red; tomorrow it could be blue. And somebody for whom the whole question of favorite color is important might think: "This person is lying to me. Yesterday his favorite color was red. Today it's blue. He's lying! He's keeping the real favorite color a secret from me." We often have that kind of a clash with people for whom some things are just not that important.

So when I was watching that lecture, here's what it reminded me of. In 1976, during the Bicentennial, I visited England, and at the time I had a best friend. So I was obsessed with this best friend, because I am one of those limerent people, and I was having a conversation with my host in London, and I was going on and on, and I said "My friend" -- let's call her Suzie. That's not her real name, but let's call her that. "So Suzie said this about that. And Suzie really likes to do this." And on and on.  Almost every subject that we brought up, that we were talking about, I inserted something about Suzie. And finally -- kind of -- he was laughing silently to himself. So I asked him: "Why are you laughing?" And he said: "Well, you keep talking about Suzie all the time." And I said: "Yes, because she's my friend. Don't you have any friends?" And he said: "Yes, I have many friends. But I'm not obsessed with them."

Okay. Well, that's just it. To me, if you had a friend, you pretty much had to be obsessed with that person. Otherwise, it's not your friend. I either like somebody a lot or I don't like them at all.

For most people, it's not like that. And I think it's like that with everything in their lives. You can talk to them about what profession they would like to be in, or what profession they are in, and they're not going to be passionate about it, and you might get the impression they don't like their job, but that's not actually the case. They like to work. They like the workplace. They like to socialize with other people in the workplace. They may be perfectly happy and content with their jobs, but they are not in love with their job. They're not obsessed. They might be married. They might be happily married. They might have a spouse who they truly -- they have a very nice arrangement going. And they're not ever going to get a divorce, and they're very content, but you won't get the impression that they're in love, because, in fact,  they're not in love. But that does not mean that nobody is ever in love.

Rather than it being a new thing that we suddenly realize that romantic love is a falsehood, and that really we should make reasonable choices about a mate, this has been ongoing. When I was teenager, that's exactly what my Great Aunt told me, that's exactly what I heard from everyone, including my friend Suzie -- which is not her real name.

Okay. So, what did Suzie say? She said that she could fall ,,, I mean, that she could marry -- she wasn't talking about falling in love at all. She thought the romantic ideal was wrong. She was a Christian. She was an Episcopalian, and she believed in loving everyone, and she thought she could be a very good wife to any man, provided that he were normal. Now, of course, I had no idea what she meant by normal. But just so you understand her situation, let's backtrack to Suzie's early childhood.

So Suzie's parents were happily married and had four children. And everything was going well, and her father was a professor at a university, and he was content with his family life, but this was maybe in the sixties -- I mean, it was in the sixties -- and he kind of got flower fever. And one day, he turned to his wife, Suzie's mom, and he said: "I love you. And I love the children. But I don't want to do this anymore. So how about I quit my job, and I get a motorcycle -- maybe we get two motorcycles -- and we tour the country with our four kids on the back of the motorcycle. Wouldn't that be a much better way of living?"

And his wife, Suzie's mom, looked at him and said: "You're crazy. I want a divorce."

Okay, so this is the background to Suzie. Suzie's mom took her four children to the town where Suzie's dad's parents were, and raised them as best she could on her own.

And Suzie was thinking: "I don't want this to happen. I don't want a flower child." So she was looking for somebody with nice conservative values, a good Christian, with whom she could form a family, and it didn't matter that he wasn't necessarily the guy that she was most attracted to, or anything like that. 




Okay, getting back to Suzie. She found the kind of man that she was looking for. And they married. And they lived in a small university town, And they had five children. And everything was going very well. She was homeschooling; he was a good provider. And then, one day, after some of the older children were teenagers, he came home and said: "I love you, Suzie. And I love the children. I don't want to change anything, except that I've met this young woman, and I'd like to bring her into our family, and have her live with us as my concubine, just like in the Bible."

And Suzie said: "You're crazy! And I want a divorce."

Now, Alain de Botton, one of his pet theories is that you can go and see what's wrong with what you are looking for in a mate, because you are probably looking for the exact same way that you were treated in your childhood, or you're looking for something from your childhood, something familiar. You're not actually looking for happiness. You're looking for familiarity. And so, if you had a cold, unfeeling parental figure, then you're looking for a cold, unfeeling parental-- I mean, sexual mate. And that's why you should not listen to your feelings. That's what he says: "You don't --You should not listen to your feelings, because you are just trying to repeat your childhood." 

But I think it's a little more complicated than that, if we look at Suzie's story. She was looking for somebody who was not like her father. Her father was an intellectual; so she was looking for somebody who was very religious and traditional. Her father was happy-go-lucky, and she was looking for somebody who would be responsible. She was looking for the exact opposite. She was trying to avoid the things that had happened in her childhood. And it was like a self-fulfilling prophecy. Because what ended up happening was amazingly similar to what happened to her mother. But maybe the thing that made it happen isn't that the man was not normal. 

It's really actually pretty normal to want that. It's fairly normal to at one point in your life, about mid-life -- to reexamine everything. And to think "Well,  maybe I don't really like my job that much." That's not unusual. And that's what happened with Suzie's father. It's also not that unusual for a man at mid-life to cboose a younger woman. It's actually kind of unusual to say: "No, I don't want to abandon my existing family." To say: "I still love you, and I just want this extra thing." And if we are conditioned by the society that we live in to do anything, it's that we expect to not renegotiate the contract, and if somebody tries to renegotiate the contract midway, then we say: "No. You're crazy." And also we don't consider other marriage patterns than the ones that we have become accustomed to. Even though, we might be religious, we might read the Bible all day long and not notice that's what's going on there. So I would say: "Suzie, read your Bible more closely!"

I'm not saying that I have the answer. The problem is, it's kind of like this prophecy in ancient literature, where you hear that your son is going to kill you when he grows up, and you think: "Well, let's try to avoid that!" So you take the baby, and you expose him on a mountain top, not realizing that the gods and all the animals are going to save the baby, and then the baby comes back, and he's fully grown, and he doesn't know that you're his father, so he kills you. That's a self-fulfilling prophecy. 

Maybe the answer is not to not listen to your feelings. Maybe you should listen to your feelings more closely.



Somebody asked Alain de Botton after that lecture that I saw: "So what would be a good way to choose a mate? Do you think that Tinder works? Do you think all of these new-fangled ways of selecting a  mate -- Do you think that that helps us find the right person?" And he said: "No, there is no right person, and I think this emphasis on choice is wrong.  You should understand that you should be capable of loving anyone, if you learn how to love. And in fact you should be willing to marry a leper. In fact, it would be great if everybody married a leper!" And he laughed.

Okay. I have a very big problem with this. And it's not because I am prejudiced against lepers. Lepers are people, too. But each leper is a different person. And so, even if you decide that you are going to a leper colony and you are going to marry a leper, it matters very much which leper you choose. 

The idea that you should look for somebody with a disability and that that disability defines that person is one of the most evil things that there could possibly be. 


Monday, January 4, 2016

Socialism is Favoring Relationships Over Individuals

The latest news from China is that a "circuit breaker" has been applied to their stock market to keep it from crashing.

http://www.bloomberg.com/news/articles/2016-01-04/chinese-stocks-in-hong-kong-extend-annual-slump-as-yuan-declines

In other words, the "needs"  of society to have a stable stock market have been placed above the rights of individual stockholders to sell or buy as they please. That in a nutshell is the entire dilemma of looking at everything from a social perspective. How can society be more important than the people of which it is composed?

I made a second book trailer for Our Lady of Kaifeng: Courtyard of the Happy Way that addresses this issue.


This trailer is about the personal and spiritual issues addressed in the novel, but if you are an economist or a political science major, don't let this put you off. The issues are all the same, whether the relationship in question is one between two people or among all the people in a country or region. What is paramount, the individual or his relationships?

Over and over again, we are told that relationships are more important than individuals. For instance, yesterday, I saw a TED video that claimed people are happiest if they have stable relationships, not when their personal achievements are at their best. In other words, if you spend your entire life loafing on the couch, but your sweetheart is right there with you, that is better than being a successful athlete, businessman,  hunter-gatherer, explorer,  artist, writer, scientist, farmer, rancher, privateer, craftsman, silversmith or shopkeeper.

http://www.ted.com/talks/robert_waldinger_what_makes_a_good_life_lessons_from_the_longest_study_on_happiness

Why do you suppose those people are trying so hard to sell us on being low-achievers with good social connections? Could it be because that is what socialism is all about? People who work in factories as automatons and people who work in offices as bureaucrats have this in common: that they try to solace themselves for their less than creative day-to-day life by having good personal relationships outside work.

But, of course, these relationships cannot be based on admiration, respect or hero worship, so then the connection itself is elevated to a place of worship over and above the individuals. People sacrifice their own desires in order to keep the relationship aloft. They put in circuit breakers  to prevent themselves and their partners from getting out of the relationship --  for the sake of the relationship and against the best interests of those involved.

I once had a friend in England who was a big fan of 1984 and Animal Farm.  I  convinced him he should read Atlas Shrugged. But all he liked out of that huge book was the story of the Twentieth Century Motor Company.  He thought the whole rest of the book should have been trimmed off as excess. He especially did not see what the point was of recounting Dagny Taggart's love life. To him, that was entirely spurious.

Unless we understand that the minimal relationship -- one consisting of only two people -- is a model for all our more complex relationships, we won't be able to fix the problem of putting society before the individual.  That's why the relationships in Rand's books are important.  That's also why unrequited love needs to be the model for all love.  Love precedes the relationship. It does not derive from it. The person comes first. The relationship is built on individual feelings,  not the other way around.  Society could not exist if it were not for the people. No god could survive without worshipers. If we all die of starvation, where does that leave society?


Wednesday, October 29, 2014

What is your Love About?

A first meeting with the love of your life may or may not be dramatic. In Theodosia and the Pirates: The Battle Against Britain, I had Jean Laffite and Theodosia Burr meet on board The Patriot after he saved it from a British attack and then proceeded to commandeer it for his own use, having found that the Captain and all of the crew had been killed as prisoners aboard the British ship he sank.

from http://cms.toptenthailand.net/file/picture/20131119133038170/20131119133038170.jpg

In the sequel, Theodosia and the Pirates: The War Against Spain, Jean Laffite unwittingly introduced his daughter Denise to the man she would marry by inviting him to make her a spinning wheel.


from http://bjws.blogspot.com/2012/11/sewing-indoors-1800s.htm
by Platt Powell Ryder, an American artist 1821-189
Denise had just come out of a disastrous marriage to a pirate, and she was dressed all in black because her father had recently killed him to avenge her, and she had made the statement that she wanted henceforth to remain a spinster. Taking her literally at her word, Jean Laffite commissioned a spinning wheel to be made for her by Francis Little, who turned out to be her future husband.

Of course, I made all that up because I'm a novelist. In real life, it may not have happened anything like that. But does it really matter how they met? Does it ever matter? According to this article  recently read, it does not, but people sometimes feel very deeply that it should.


Modern Love: When the Words Don't Fit by Sarah Healy

Should your first meeting make a great story to tell the grandchildren? Well, not necessarily. If there is nothing to sustain a long-term love, then we are certainly not going to marry someone because it would make a great story. But the entire sum total of your love should make a great story, and that is where the article left me cold.

Is a meeting at a bar where friends introduce you really all that conventional? (I've never had anything like that happen to me.) And what exactly is a conventional marriage, the kind the author is happy to claim she has? This has got me quite mystified. Every love story is about something. What is a conventional marriage about?

A person once answered me with this: "Sex, companionship, children." But even in a conventional marriage, aren't the sex, companionship and children about something? Something bigger and more important and at the same time much more personal than such a generic listing of three nouns?

In a novel, to be interesting, a love story has to have both a plot and a theme; conflicts built in that enhance and ignite the love and keep it going for a very long time. For Theodosia and Jean, they loved one another because of her Battle against Britain and his War Against Spain, because she loved her country and her father, and because he loved the Constitution and hated tyranny. He wanted to avenge her wrongs, because it was too late to avenge his grandmother directly. They served as surrogates for other people they had loved and worshiped, and they also served as agents of catharsis whenever their interests clashed. His deep respect for Thomas Jefferson, but her hatred for the man who ruined her father and his alliance with James Wilkinson who had been the chief witness for the prosecution at Burr's trial for treason were both jarring and hateful to Theodosia. How could she keep loving Jean and still hold on to her honor?

 The sex, companionship and children in Jean and Theodosia's story were a byproduct of their plot and theme. They were not an end in themselves.


from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBJTPyaStxBT-nQRWtoHND7Ibw-45u2egINtqes9rt9OOezGecXVGo4xL_x30xGny-gLbr7s6130XYjs7ndXAy6Loahm9SwNBP5d7UIdposqg5eI8M5FrMgiL9DHJbaIHpaNuq7kQkxUc/s640/1800+Vilhelm+Hammershoi+(Danish+Artist,+1864%E2%80%931916)+Young+Girl+Sewing,+1887.jpg

In the case of the romance between Denise and Frank, I made the story much more understated. Still there was a story. It was the conflict between the high spirited, imaginative Denise and her artistic and domestic urges, and the question of whether kindness alone can sustain passion. Sometimes after rough sailing, we want a little peace in our lives. But peace is never enough. There has to be art and beauty and courage and a common cause. And ultimately, in order to be sustainable, a marriage has to have a built in theme and a recurring conflict. For Frank and Denise it was art and weaving and furniture making and all while facing up to evil.

Do you have a love story in your life? If so, then you know what it's about. You don't have to tell, of course. It can remain your secret. But it can't be about nothing. There's no such thing as a conventional love. If it's conventional, then it's not love.