Compromises and their Price

Most people work at jobs that they don't really like, but find tolerable enough to sustain them. They marry individuals that they don't quite respect, but who are at least kind enough and supportive enough to get them through the day. They vote for political candidates they are deeply suspicious of, but at the same time, these are the best candidates available to vote for, from their own personal perspective.

We can't expect to change the world in one fell swoop, so we are conditioned to get along with others and work together for small improvements in our lives. Arguably, there's nothing wrong with that -- except when we turn around and see the changes wrought in the landscape of our society by all these small, seemingly innocent compromises.

I recently watched the Tim Burton movie, Big Eyes, about the artist Margaret Keane and her domineering conman of a husband, who catapulted her art into fame, before she exposed him for the fraud that he was.

In my daughter's bedroom there is a print of a  painting of a cat that looks as if it might have been painted by Margaret Keane. If it is not actually painted by her, then it must have been a conscious, intentional imitation. It looks just like her art.  I got this painting from my parents. It used to hang in their house. It is a relic from the sixties and early seventies.

When my daughter was very little, she really liked this cat painting and even identified with it deeply, thinking that if she were a cat, she would look like that. Then, later, it scared her, because of those big spooky eyes, and she took it down off the wall and hid it. Then, later still, she put it back up.

Margaret Keane's art is confusing like that. It moves us, then it scares us, and then after a while we come back to it. Or maybe we decide it is kitsch, and later still we realize that there is a history there, and no matter what base instinct within us it appeals to, it is still definitely art.

But did you know the history of the paintings? Did you know that her husband took credit for them? Or that in all probability we, the public,  would never have seen any of her paintings, if not for the false origin story he spun out of thin air, to make the emotional appeal seem to have a bigger, almost political meaning? I did not know until after I had seen the movie Big Eyes. And all this made me think of the Election of 2016, where nothing is quite as it seems. Read my LibertyBuzz article, to see how it all ties together.

http://libertybuzz.us/story/libertarians-imposters-among-us/2016/11/07/1213/

If We Stand Together, No One Can Stop Us

The real problem is that we are all so divided. Nobody dares stand up to our oppressors, because we cannot seem to agree that it would be a good thing to do. If we ever did act as one, then there would be no limit to what we could accomplish. That's why it is very important to keep talking to our neighbors, even when we belong to opposing political camps.

http://libertybuzz.us/story/revolution-get-up-and-spread-the-message/2016/10/19/1162/

There is a meme going around: "I hope we can still be friends after the election, even if we are in different internment camps." And yes, there are people who see an internment camp in their future.

What would it take to fight the relentless march of government over our lives? The courage to do what you feel is right and the conviction that all your neighbors will do the same.

Excerpt from Our Lady of Kaifeng: Courtyard of the Happy Way

What would it take for all of us to act as one against the guards? Do they have to put us in a camp before that can happen?